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Ha such a good idea; one of my best. First off all I could think about the whole time I was reading it was Douglas Booth staring at me like this while he told me I smelled like roses and was the sun...

To me, it seemed a pretty pointless story about a couple of idiotic teenagers in lust. The ridiculous essays I was forced to compose about it certainly didn't help.

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Their passions are founded respectively upon two ideals of society - love and honour - but Mercutio believes in neither. He comes across as the character with the clearest vision. Just as Mercutio can see through words to other meanings, he can also see through the ideals held by those around him. He understands that often they are not sincerely held, but merely adopted for convenience.

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We are immediately told about the long-standing hatred between the two feuding families, the Capulets and the Montagues, and then immediately find ourselves engaged by an exciting brawl.

The first meeting of the lovers at the ball, their secret marriage, Romeo's fight with Tybalt, the sleeping potion, and even the timing of their eventual suicides, are all episodes which we usually attribute to Shakespeare. This is characteristic of the author, who often wrote plays based on earlier works.

The structure of the play is carefully controlled; it would be interesting at this distance to read the earlier versions. Different poetic forms are used by different characters, and sometimes the form changes as the character develops. There are many instances of the sonnet, as the reader would expect, because it is a perfect, idealised poetic form often used to write about love.

Romeo looks dashing in his open-necked shirt and film director scarf. Juliet has never seen anything like him.

There are many other great themes and symbols in here, more than I could possibly go into in a review. The bottom line is that Romeo and Juliet is now my second favorite Shakespeare play, just behind Hamlet. The balcony scene alone is worth the time it takes to read the entire book.

I've managed to live almost four decades without reading or watching this classic and I was pretty excited to get going. On paper this is my ideal story, boy meets girl, girl already has boy.

We are in a masculine world in which notions of honour, pride, and status are prone to erupt in a fury of conflict, but there is a strong female who pule para aqui defies her confined expectations. Rashness, vengeance, passion, grief; they are all here. The motif of fate continues to the very end of the play. Romeo proclaims,

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